Download article
Authors
Damir Urazymbetov
PhD in Arts, Associate Professor, Art Management Department, Head of the International Department, Head of the Qazaq Ballet Creative Lab
Kurmangazy Kazakh National Conservatory
Kazakhstan
https://orcid.org/0000-0001-8471-1405Togzhan Moldalim
Corresponding author
MA (Music Criticism), 2nd year Doctoral Student, Art Management Department, Lecturer of the General Professional Courses Department, A. Seleznyov Almaty Choreographic School
Kurmangazy Kazakh National Conservatory
Kazakhstan
https://orcid.org/0000-0002-2007-0044Article information
Article publication date
2024-06-25
Article Page
75–101
Chapter
Arts & Humanities
License
Abstract
All over the world the studies on the collaboration between music composers and dance creators are highly sought after. This is driven by the rapid evolution of musical and choreographic art fields in today’s creative industries. Organizing and promoting such cultural practices is crucial to complement the creative aspect. That’s why the present study examines the tendencies of compositional creativity in Kazakhstan in terms of its integration into choreographic projects. It can also be considered as a projection on cultural management. The article aims to the analytical review of the recent years’ implemented cases, that demonstrate the ways and formats of interaction between music and dance. The article considers the following questions: the interaction of music and choreography in a historical context; the creation of music and compilation of music for ballet; the design of music for dance and dance video, as well as the ways to support compositional creativity.
This study of temporal and spatial art forms is built at the interface of several sciences. For the conceptual analysis the authors of the article required a wide range of historical and socio-cultural sources in the specified areas of art. The work was divided into several stages and used analytical, comparative and historical methods projected onto the Kazakh musical theater and other institutions related to the dance art. Also, an interviewing method was applied for the survey of practicing composers and directors, music editors and performers.
The design of music and choreography has a wide range of relationships and demands that are necessary for the execution of audiovisual projects.
This article with its understanding of cases in the field of ballet theater, dance troupes or video clips may be interesting both theoretically and practically not only for the scholars, but also for composers and choreographers who are only at the beginning of their creative paths. In addition, the article raises the problem of promoting and supporting compositional creativity. A thorough understanding of the music creation process for dance can foster more effective collaborations among creators, as well as the development of cultural management and clusters of creative industries.
Keywords
composing music
designing music
collaboration
music and choreographic art
cultural practices
compositional creativity
choreographic projects
music for ballet
music for dance
promoting and supporting
References
Amanov, Bakdaulet, and Assiya Mukhambetova. Kazakhskaya traditsionnaya muzyka i XX vek [Kazakh Traditional Music and the XX Century]. Almaty, Daik-Press, 2002.
Babich, Nikolay. “Kompozitsionnye osobennosti kompilirovannykh muzykal'nykh tekstov v plasticheskom teatre” [“Composite Features of the Compiled Musical Texts in Plastic Theater.”] The World of Science, Culture and Education, no. 6 (49), 2014, pp. 431–435. (In Russian)
Bakayeva, Irina. Baletnye stseny v opere [Ballet Scenes in the Opera]. Astana, NC NTI, 2011. (In Russian)
Bellow, Juliet. “Prokofiev’s Ballets for Diaghilev, by Stephen D. Press. 2006. Aldershot and Burlington: Ashgate. 294 Pp, Illustrations, Bibliography, Index. $99.95 Cloth.” Dance Research Journal, vol. 39, issue 1, 2007, pp. 93–95. DOI: 10.1017/S0149767700000097.
Bezuglaya, Galina. “Tancuyushij Lyulli” [“Dancing Lully.”] Bulletin of Vaganova Ballet Academy, no. 2 (67), 2020, pp. 79–89, vaganov.elpub.ru/jour/article/view/1361/933 (In Russian)
Bobrovsky, Victor. Funktsional'nye osnovy muzykal'noj formy [The Functional Foundations of the Musical Form]. Foreword by Yevgeniya Chigaryova, 2nd edition. Moscow, URSS, 2012. (In Russian)
Carvalho, Ines. “Music Composition and Dance: A Synchronised Creative Process.” Diagonal Dance, 16 September 2020, www.diagonaldance.com/music-composition-and-dance/. Accessed 16 March 2024.
“Compilation.” Cambridge Dictionary, www.dictionary.cambridge.org/dictionary/english/compilation. Accessed 07.03.2024
“Compilation.” Oxford Advanced Learner's Dictionary, www.oxfordlearnersdictionaries.com/definition/english/compilation. Accessed 07 March 2024.
“Composing New Music for Dance” by Richard Carrick. Berklee College of Music, college.berklee.edu/courses/cm-333. Accessed 24 March 2024.
Cunningham, Merce. The Dancer and the Dance. New York and London, MarionBoyars, 1999.
Erb, Donald. “Arrangement and Transcription.” Encyclopedia Britannica, www.britannica.com/art/instrumentation-music/Arrangement-and-transcription. Accessed 07 March 2024.
Garmash, Olga. “Istoki otechestvennogo muzykalnogo menedzhmenta: neizuchennye stranicy” [“Sources of Russian Musical Management: Unexplored Pages.”] Observatory of Culture, no. 3, 2015, pp. 63–69. DOI: 10.25281/2072-3156-2015-0-3-63-69. (In Russian)
Harris-Warrick, Rebecca. Dance and Drama in French Baroque Opera: A History. Cambridge: Cambridge University Press, 2016. DOI: 10.1017/CBO9781316481080.
Huizinga, Johan. Osen' Srednevekov'ya. Homo ludens. Esse [The Autumn of the Middle Ages. Homo Ludens. Essays] Comp., preface. and transl. from the Dutch by Dmitry Silvestrov, comment by Dmitry Kharitonovich. Moscow, KoLibri, ABC-Atticus, 2019. (In Russian)
John-Steiner, Vera. Creative Collaboration. Oxford University Press, 2006.
Jumaniyazova, Raushan. “The Features of Media Art Projects in the Practice of the Kazakhstani Music Scene.” Saryn, vol. 11, no. 3, 2023, pp. 76–90. DOI: 10.59850/SARYN.3.11.2023.29. (In Russian)
Kim, Chan Ji. I. Composer and Choreographer: A Study of Collaborative Compositional Process II. The Lotus Flower, Ballet Music for Chamber Ensemble and Two-Channel Audio. 2006. University of Florida, PhD dissertation. The University of Florida Digital Collections, ufdcimages.uflib.ufl.edu/UF/E0/01/38/97/00001/kim_c.pdf. Accessed 13 March 2024.
Kinney, Troy, and Margaret Kinney. The Dance; Its Place in Art and Life. New York, Frederick A. Stokes company, 1914. Pdf. Retrieved from the Library of Congress, www.archive.org/details/danceitsplaceina00kinniala/page/n9/mode/2up. Accessed 10 January 2024.
Konen, Valentina. Tretij plast: Novye massovye zhanry v muzyke XX veka [The Third Layer: New Mass Genres in Music of the XX Century]. Moscow, Muzyka, 1994. (In Russian)
Kourlas, Gia. “Down the Rabbit Hole with an Off-Kilter Thom Yorke.” The New York Times, July 17, 2019, www.nytimes.com/2019/07/17/arts/dance/thom-yorke-anima-dance.html.
Mailman, Joshua, and Sofia Paraskeva. “Continuous Movement, Fluid Music, and the Expressive Immersive Interactive Technology: The Sound and Touch of Ether’s Flux.” Sound, Music and the Moving-Thinking Body, edited by Marilyn Wyers and Osvaldo Glieca. Cambridge Scholars Press, 2013, pp. 35–51.
McDonald, Heather. “A Look at Compilation Albums.” LiveAbout, Updated on 18 January 2020, www.liveabout.com/compilation-album-2460345. Accessed 3 July 2024.
Moldalim, Togzhan. Conversation with Anvara Sadykova. Almaty–Astana, 3 March, 2024. Personal archive of T. Moldalim. (In Russian)
Moldalim, Togzhan. Conversation with Gaziz Tumanov. Almaty, 4 March 2024. Personal archive of T. Moldalim. (In Russian)
Moldalim, Togzhan. Conversation with Seken Turysbek. Almaty, 6 March 2024. Personal archive of T. Moldalim. (In Kazakh)
Moldalim, Togzhan. Conversation with Suriya Yessentayeva. Almaty, 29 September 2020 года. Personal archive of T. Moldalim. (In Russian)
Moldalim, Togzhan. Conversation with Vinera Kaliyeva. Almaty–Geneva, 4 March 2024. Personal archive of T. Moldalim. (In Russian)
Moldalim, Togzhan. Conversation with Yerkebulan Saparbayev. Almaty, 3 June 2021. Personal archive of T. Moldalim. (In Russian)
“Mysli sovremennikov. Zaure Azhibekova.” [“The Thoughts of Contemporaries. Zaure Azhibekova.”] Kazakh Dance through the Ages, author-compiler Damir Urazymbetov. Almaty, Qazaq Ballet Magazine, 2023, pp. 95–97. (In Kazakh and in Russian)
Nedlina, Valeriya. “Balet ‘Kozy Korpesh – Bayan Sulu’: neuzheli poluchilos?” [“Ballet ‘Kozy Korpesh – Bayan Sulu’: Did it Really Work Out?”]. Tengrinews, 17 July 2021, www.tengrinews.kz/opinion/balet-kozyi-korpesh-bayan-sulu-neujeli-poluchilos-1115. Accessed 29 February 2024. (In Russian)
Noverre, Jean-Georges. Pis'ma o tantse [Lettres sur la danse, et sur les ballets], 2nd Edition. Transl. from French and edited by Alexey Gvozdev. Saint Petersburg, Lan', Planeta Muzyki, 2007. (In Russian)
“Prem’ery. Arkany sud’by.” [“Premieres. The Arcana of Fate.”] The official website of the “Abai TV” channel, 27 March 2022, www.abaitv.kz/ru/videos/2176. Accessed 2 March 2024. (In Russian)
“Prem’ery. Prem’era baleta ‘Ot kyz’ v teatre ‘Astana Balet’.” [“Premiere of the Ballet ‘Ot Kyz’ at the Astana Ballet Theater.”] The official website of the “Abai TV” channel, 26 November 2023, www.abaitv.kz/ru/videos/4402. Accessed 2 March 2024. (In Russian)
“Prem’ery. Prem’ery spektaklej molodykh khoreografov v teatre ‘Astana Balet’, ‘Soli Deo Gloria’.” [“Premieres. Premieres of Performances by Young Choreographers at the Astana Ballet Theater, ‘Soli Deo Gloria’.”], The official website of the “Abai TV” channel, 29 May 2023, www.abaitv.kz/ru/videos/3753. Accessed 2 March 2024. (In Russian)
“Prem’ery. Vecher kazakhskoj muzyki i khoreografii ‘Nasledie Velikoj Stepi’.” [“Premieres. Evening of Kazakh Music and Choreography “Heritage of the Great Steppe.”] The official website of the “Abai TV” channel, 19 June 2022, www.abaitv.kz/ru/videos/2584. Accessed 29 February 2024. (In Russian)
“Prem’ery. Vozrozhdenie ansamblya ‘Gul’der’.” [“Premieres. The Revival of the ‘Gulder’ Ensemble.”] The official website of the “Abai TV” channel, 24 September 2023, www.abaitv.kz/ru/videos/4166. Accessed 29 February 2024. (In Russian)
“Prem’ery. Zov stepi”. [“Premieres. The Call of the Steppe.”] The official website of the “Abai TV” channel, 19 April 2021, www.abaitv.kz/ru/videos/842. Accessed 29 February 2024. (In Russian)
Ravelhofer, Barbara. The Early Stuart Masque: Dance, Costume, and Music. Oxford University Press, 2006.
Rossi, Paula, “On Music- and Dance-Related Metaphors for Organization and Management. The Oxford Handbook of Metaphor in Organization Studies, edited by Anders Örtenblad, 22 February 2024, pp. 196–211. DOI: 10.1093/oxfordhb/9780192895707.013.12. Accessed 08 March 2024.
Shimyrbayeva, Galiya. “‘Zheleznyj’ Ayukhanov postavil novyj balet [“‘Iron’ Ayukhanov Staged a New Ballet.”] Kazakhstanskaya pravda, 18 November 2020, www.kazpravda.kz/n/zheleznyy-ayuhanov-postavil-novyy-balet. Accessed 01 March 2024. (In Russian)
Shitikova, Raissa, and Yun Lee. “Muzykal'naya aranzhirovka: k soderzhaniyu ponyatiya.” [“Musical Arrangement: to the Content of the Concept.”]. Culture and Civilization, vol. 7, issue 2А, 2017, pp. 38–55, www.publishing-vak.ru/file/archive-culture-2017-2/4-shitikova.pdf. (In Russian)
Taylor, Alan. “Composers-Choreographer Collaboration: The Experience of Sharing the Imagination of Dance and Music.” ResearchGate, May 2021, pp. 1–17. DOI: 10.13140/RG.2.2.18320.33286.
“Transcription.” FreeMusicDictionary, www.freemusicdictionary.com/definition/transcription. Accessed 07 March 2024.
“Transkriptsiya” [“Transcription.”] Muzyka. Bol'shoj ehntsiklopedicheskij slovar' [Music. A Large Encyclopedic Dictionary], Editor-In-Chief Georgy Keldysh. Moscow, NI Bol’shaya Rossijskaya ehntsiklopediya, 1998, p. 551. (In Russian)
Zhubanova, Gaziza. Mir moj – Muzyka: v 2 tomakh. T. 2. Stat'i ocherki, vospominaniya [My world is Music: in 2 Volumes. Vol. 2. Articles, Essays, Memoirs]. Compiled and edited by Dina Mambetova. Almaty, s. n., 1997. (In Russian)
“Zovite menya Dzhordzh.” [“Call me George.”] Stages, www.stages.kz/george. Accessed 05 March 2024. (In Russian)
Published:
2024-06-25
Дата подачи:
2024-06-06
Дата одобрения:
2024-06-25
Journal number
№ 2
Volume
12
Download article