Jean Françaix: Peculiarities of Interpretation and Interpretation of the Concerto for Clarinet and Orchestra

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Authors

Anna Danilchenko

1st year Master Degree Student, Wind and Percussion Instruments Department

Kurmangazy Kazakh National Conservatory

Kazakhstan

Article information

Article publication date

2021-12-30

Article Page

32-41

Chapter

Arts & Humanities

License

Attribution-NonCommercial-NoDerivs 4.0 International

Abstract

In the XX century, composers around the world turned to the genre of clarinet concerto with orchestra, this interest was aroused due to the fact that the art of playing the clarinet by the middle of the twentieth century had reached significant peaks. This article is devoted to the work of the French composer Jean

Françaix, namely the issues of performing interpretation and musical analysis of the concerto for clarinet and orchestra. The concerto is one of the most complex works, and adding it to the clarinettist's repertoire speaks of a new level of technical requirements. 

The purpose of the article is to study the peculiarities of interpretation and technical difficulties of the concert. The article provides a detailed musical analysis of Jean Françaix «Concerto for Clarinet and Orchestra». The author illustrates the analysis with musical examples. 

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Keywords

Jean Françaix
clarinet concerto
musical analysis
French music
XX century

References

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Viskova, I. Puti rasšireniâ vyrazitel’nyh vozmožnostej derevânnyh duhovyh instrumentov v muzyke vtoroj poloviny XXveka: Avtoref. dis. kand. iskusstvovedeniâ. – M., 2009. – 24 s.

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Brisua, A. Koncert dlâ klarneta Žana Franse: Izučenie ispolnitel’skoj praktiki. Universitet Oklahomy, ProQuest, Publikaciâ dissertacij UMI, 2012.


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